OPTICAL

The first known artistic representation of eyeglasses was painted by Tommaso da Modena in 1352. He did a sequence of frescoes of brothers efficiently reading or replicating manuscripts; one holds a magnifying glass while the other has glasses suspended on his nose. Once Tommaso had established the example, other painters positioned spectacles on the noses of many of subjects, almost certainly as a representation of wisdom and respect.

One of the most noteworthy developments in spectacle production in the 15th century was the introduction of concave lenses for the myopic or nearsighted. Pope Leo X, who was very myopic, wore concave spectacles when hunting and professed they enabled him to see clearer than his cohorts.

The first spectacles utilized quartz lenses since optical glass had not been developed. The lenses were set into bone, metal and leather mountings, frequently fashioned like two small magnifying glasses with handles riveted together and set in an inverted V shape that could be balanced on the bridge of the nose. The use of spectacles extended from Italy to Germany, Spain, France and Portugal.

From their inception, eyeglasses posed a dilemma that wasn't solved for almost 350 years: how to keep them on the bridge of the nose without falling. Spanish spectacle makers of the 17th century experimented with ribbons of silk that could be attached to the frames and then looped over the ears. Spanish and Italian missionaries carried the new models to spectacle wearers in China. The Chinese attached little ceramic or metal weights to the strings instead of making loops. In 1730 a London optician named Edward Scarlett perfected the use of rigid sidepieces that rested atop the ears. This perfection rapidly spread across the continent. In 1752 James Ayscough publicized his latest invention, spectacles with double hinged side pieces. These became very popular and appear more often than any other kind in paintings and prints of the period. Lenses were fabricated of tinted glass as well as clear. Ayscough felt that the clear glass lenses gave an unpleasant glare. In Spain in 1763 Pablo Minguet recommended turquoise, green, or yellow lenses but not amber or red.

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